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Grateful Dead Live at Orpheum Theatre on 1976-07-17




Set 1

The Promised Land
Mississippi Half-Step Uptown Toodeloo
Mama Tried
Deal
New Minglewood Blues
Peggy-O
Big River
Sugaree
Johnny B. Goode

Set 2

Samson And Delilah
Comes A Time ->
Jam ->
The Other One Jam ->
Drums ->
The Other One ->
Space ->
Eyes Of The World ->
Jam ->
The Other One ->
Goin' Down The Road Feeling Bad ->
One More Saturday Night

Encore
U.S. Blues
Not Fade Away


Collection GratefulDead
Band/Artist Grateful Dead
Venue Orpheum Theatre
Location San Francisco, CA

Source Matrix mix (SBD/AUD)
Transferred by Chris Chappell

Notes

Matrix: (SBD + AUD mix)
SBd/AUD Ratio = Phi

SBD: (shnid=34708 - fix of 243)
Master Reel > DAT > CD via?
fix via Bill Tetzeli (crossfaded patch in Eyes)

AUD: (shnid=18389)
Source: Recorded by Bob Menke; Sony ECM-280s> Sony TC-152 from front of balcony
Lineage: MAC>R>D>WAV>SHN
DAT -> SHN Conversion: Tascam DA-30 playback > Egosys Waveterminal 2496 >
Cool Edit 2000 > sector boundary verification (shntool v1.01) > CD/SHN
by David Minches, info file by Matt Vernon

Matrixed by Chris Chappell
scarfire@liquidcity.com
Novemeber 9, 2008

General Notes:

Shnid 91827 was an earlier version of this matrix which derived
from reference CDRs that I had sent to Rob Bertrando who suggested
I do a matrix of this show. His edits included adding some low end,
pitch correction, and swapping channels in the patch in Eyes. Noah
Weiner made flacs of these changes but had inadvertently checked
the replay gain option. So 91827 had 2 DAEs in the lineage, plus
replay gain (my v.1 ref CDRs > DAE > Rob's edits > CDRs > DAE >
Noah's Flacs). This new version has similar edits, EQ, pitch
correction, etc. to those that Rob had done, slightly different
SBD/AUD ratio, and no DAEs.

The timing of the initial seed being what it was, I am making this
version retroactive and naming it Vol. 25.

Many thanks to Rob Bertrando for the motivation to work on this fine
show - the Comes A Time intro and post jam are worth the price of
admission alone. Thanks to Bob Menke for recording the AUD, and to
David Minches for the transfer. It's not clear who was responsible
for putting the SBD into circulation - so whoever you are - Thanks!

Enjoy!
- Chris

Reviews

Reviewer: DMTrue13 - - April 3, 2014
Subject: double dipped gratefuldead
gotta like two encores. Jerry is really mellow in this show, but i like that. things get stretched out. Slow Miss1/2step but smooth and laid back in a real good way. Persian? Nice spooky space in the Other one, i enjoy this stuff. Pretty good sound, slightly odd mix at times, but less is more.
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Source: Master Audience Recorded By Mr. Darby; Sennheiser MD421's (PAS/DFC/Row 2 Behind Soundboard/6 Feet High)> Sony TC-D5M,Tapes Sony Metallic; Transfer Information:Tascam 112 MKII (XLR Out)> Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
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Source: Master Audience Recorded By Mr. Walker And Mr. Darby; AKGC460B/CK61's (DIN/Section FFF,Row 3, Seat 4/6 Feet High)> AKGB18 (With 48 Volt Transformers)>Sony TC-D5M> Sony TC-D5M,Tapes Set 1,Maxell MX-S,Set 2 Maxell MX; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed, Metadata Tagging With Tag&Rename By Keo
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Source: Master Audience Nakamichi CM300/CP4 Shotguns>Sony D7>Sony D6 (Patched Out Of D7) Tapes:Maxell XLII 90,XLII-S 100; Taper:Friend Of Floater Tapes From Floater,Transfer By Keo Transfer With Nakamichi MR-1>Korg MR-1000 @ 1 Bit/5.6 MHz Tracking/Sample Rate Conversion/Flacked/Metadata Tagging With AudioGate Software To 24 Bit/96 kHz
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